《三国志演义》批评曹操形象的小说化书写——以其“喜”“笑”为阐述中心  

On the Novelization of Cao Cao’s Image Criticism in the Romance of The Three Kingdoms-Focus on His“Joy”and“Laughter”

作　　者：吴思淇 邓雷[1] Wu Siqi;Deng Lei(College of Literature,Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《齐鲁师范学院学报》2024年第3期75-81,共7页Journal of Qilu Normal University

基　　金：国家社科基金一般项目“《水浒传》版本研究”(编号20FZWB003)阶段性成果。

摘　　要：曹操奸雄形象的生成有其历史性过程,由正史到小说,再到小说内部不同版本,对于曹操“喜”“笑”的关键情绪书写存在差异,这些差异呈现的客观变化,是曹操形象逐渐小说化的过程,而这一过程也是小说创作者的思想倾向和艺术敏锐的结合。小说通过叠合、增删和衍生等方式,使曹操的“喜”与“笑”比正史书写更具备曲折与戏剧的一面,也展现曹操喜怒无常的奸雄个性。The generation of Cao Cao’s image has its historical process,from the official history to the novel,and then to the different versions of the novel,there are differences in the key emotions of Cao Cao’s“joy”and“laughter”.The objective changes presented by these differences are the process of Cao Cao’s image gradually becoming a novel.This process is also the combination of the novel creator’s ideological tendency and artistic acuity.By means of overlap,addition,deletion and derivation,the novel makes Cao Cao’s“joy”and“laughter”more tortuous and dramatic than the official history,and also shows Cao Cao’s temperamental character.

关 键 词：曹操 《三国志演义》 小说化 喜 笑 

分 类 号：I207.413[文学—中国文学]