地域文化视野下姜夔诗词中的洞庭地理意象  

The Geographical Image of Dongting inJiang Kui’s Poems from the Perspective of Regional Culture

作　　者：李琳[1] 李秀云 LI Lin;LI Xiuyun(School of Literature and Journalism,Xiangtan University,Xiangtan Hunan 411105)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《长治学院学报》2024年第2期85-90,共6页Journal of Changzhi University

基　　金：湖南省普通高校教学改革重点项目“新文科建设背景下中华优秀传统文化创造性转化的研究与实践”(HNJG-20230291)。

摘　　要：洞庭湖地域文化有着漫长的变迁历程,到了宋代又呈现出一个新的发展态势。姜夔在漫游到洞庭湖时,受到了洞庭文化的熏陶,随后对洞庭山水的奇险与愁绪进行了书写,更为重要的是,姜夔在“湘妃”意象的嬗变方面具有创新之举。姜夔诗词中的洞庭地理意象,具有新旧地域文化的双重性,进一步推动了洞庭地域文化的变迁。姜夔诗词中的洞庭地理意象与洞庭地域文化具有双向互动的过程,实现了诗词与文化的相互塑造。The regional culture of Dongting Lake had a long history of change,and it showed a new development trend in the Song Dynasty.Jiang Kui was influenced by the Dongting culture when he was wandering to Dongting Lake,and then he wrote about the adventure and melancholy of Dongting landscape.Meanwhile,Jiang Kui had an innovative act in the evolution of the image of“Xiang Fei”.The geographical image of Dongting in Jiang Kui’s poems has the dual nature of old and new regional culture,which further promotes the change of Dongting regional culture.There is a two-way interaction between Jiang Kui’s Dongting geographical image and Dongting regional culture,which realizes the mutual shaping of poetry and culture.

关 键 词：姜夔诗词 洞庭文化 地理意象 

分 类 号：I207.209[文学—中国文学]