陕西神怪类皮影造型在纺织品中的应用研究  

Research on the application of Shaanxi god and monster shadow puppetry modeling in textiles

作　　者：姚红 王育新[1] Yao Hong;Wang Yuxin(Apparel&Art Design College,Xi’an Polytechnic University,Xi’an 710048,China)

机构地区：[1]西安工程大学服装与艺术设计学院,陕西西安710048

出　　处：《纺织报告》2024年第5期69-71,共3页

基　　金：陕西省社会科学基金项目“陕西皮影艺术整理与研究”(2020J025)。

摘　　要：有关皮影表演的完整记录最早是在宋代,此后,皮影艺术在中华大地生根发芽、茁壮成长。陕西神怪类皮影造型更是别具一格,不仅展现了皮影艺术历朝历代的审美风格,还表现出皮影艺术的多方面价值。文章通过对陕西神怪类皮影造型的来源进行整理归纳和分析,结合民俗文化和宗教文化背景,对陕西神怪类皮影的材料、造型类别、特色及其与民俗艺术的联系进行深入探究。The complete record of shadow puppetry performance dates back to the Song Dynasty,and since then,shadow puppetry art has taken root,sprouted and flourished on the land of China.Shaanxi god and monster shadow puppetry modeling has a unique style,not only showcasing the aesthetic style of shadow puppetry throughout history,but also demonstrating the multifaceted value of shadow puppetry art.This paper summarizes and analyzes the sources of Shaanxi god and monster shadow puppetry modeling,and combines folk culture and religious cultural backgrounds to deeply explore the materials,shape categories,characteristics of Shaanxi god and monster shadow puppetry and its connection with folk art.

关 键 词：陕西皮影 神怪 纺织品 造型 

分 类 号：F768.1[经济管理—产业经济]