仿生学视域下的软雕塑艺术及其形式语言研究  

Research on soft sculpture art and its formal language from the perspective of bionics

作　　者：崔岩[1] 郑晓宇 Cui Yan;Zheng Xiaoyu(Hubei Institute of Fine Arts,Wuhan 430205,China)

机构地区：[1]湖北美术学院,湖北武汉430205

出　　处：《纺织报告》2024年第5期130-132,共3页

摘　　要：软雕塑艺术脱胎于传统壁挂纤维艺术,是一种基于三维空间、介于雕塑艺术与纤维艺术之间、通过软质材料传达艺术语言的当代艺术形式。当代软雕塑艺术与仿生学之间具有千丝万缕的联系,一方面,软雕塑艺术家们从自然中汲取灵感,将仿生观念运用于艺术创作中,丰富了艺术形式语言;另一方面,由于软雕塑艺术是一门“软材料艺术”,仿生技术的产物为软雕塑艺术创作提供了更多的可能。Soft sculpture art originated from traditional wall mounted fiber art and is a contemporary art form based on three-dimensional space,between sculpture art and fiber art,conveying artistic language through soft materials.There is a intricate connection between contemporary soft sculpture art and bionics.On the one hand,soft sculpture artists draw inspiration from nature and apply bionic concepts to artistic creation,enriching the language of artistic forms;on the other hand,as soft sculpture art is a form of“soft material art”,the products of bionic technology provide more possibilities for the creation of soft sculpture art.

关 键 词：软雕塑艺术 仿生学 形式语言 

分 类 号：J306[艺术—美术]