论《月光狂想曲》中大屠杀叙事的“美国化”  

Americanizing the Holocaust in Michael Chabon's Moonglow

作　　者：李雨然 杨金才[1] LI Yuran;YANG Jincai(School of Foreign Studies,Nanjing University,Nanjing 210023,China)

机构地区：[1]南京大学外国语学院,江苏南京210023

出　　处：《湖南科技大学学报（社会科学版）》2024年第3期58-65,共8页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：国家社会科学基金重点项目(17AWW007)。

摘　　要：当代犹太裔美国作家迈克尔·夏邦在《月光狂想曲》中以后记忆的手法再现大屠杀,不仅巧妙融合了史料、记忆与虚构想象,还融入了美国价值观和精神,呈现大屠杀叙事的“美国化”特征。夏邦通过家庭后记忆书写,展现犹太苦难与救赎话语同美国英雄主义的紧密联系。在太空竞赛时期的政治背景下,一方面将大屠杀事件内化为美国的联盟后记忆,另一方面积极反思美国的道德责任。然而,在尝试通过温情的文学想象以“面向未来”时,夏邦却削弱了大屠杀的严肃性,迎合美国文化多元性的需求,掩盖了美国价值观的意识形态,也暴露了后记忆理论的历史局限性。夏邦的《月光狂想曲》超越了对大屠杀事件本身的探讨,更多关注于大屠杀历史与美国价值观的结合与共鸣,为当代“美国化”的大屠杀叙事提供了案例。Contemporary Jewish American writer Michael Chabon portrays the Holocaust by way of post-memory writing in Moonglow.While skillfully blending historical documents,memories and fictional imagination,he incorporates American values and spirit,thereby revealing an“Americanized”narrative of the Holocaust.Through the writing of familial postmemory,Chabon closely links Jewish suffering and redemption narratives with American heroism.Against the political backdrop of the Space Race era,he internalizes the Holocaust as part of America's affiliative postmemory while actively reflecting on America's moral responsibilities.However,in his attempt to use tender literary imagination to“move towards the future”,Chabon inadvertently diminishes the severity of the Holocaust,caters to the needs of American cultural diversity,obscures the ideology of American values,as well as exposes the historical limitation of postmemory theory.Going beyond discussing the Holocaust event itself,Moonglow focuses more on the integration and resonance of the Holocaust history with American values,providing a significant text characteristic of the“Americanized”narrative of the Holocaust.

关 键 词：《月光狂想曲》 迈克尔·夏邦 大屠杀叙事美国化 后记忆 

分 类 号：I712[文学—其他各国文学]