取西方之乐器,奏华夏之音韵——谈储望华钢琴前奏曲《筝箫吟》  

Using Western Instruments to Play Chinese Melodies:An Analysis of Chu Wanghua's Piano Prelude"Zheng Xiao Yin"

作　　者：段雪 DUAN Xue(Guizhou Vocational Technology Institute,Guiyang,550023)

机构地区：[1]贵州职业技术学院,贵阳550023

出　　处：《贵州开放大学学报》2024年第2期66-72,共7页Journal of Guizhou Open University

摘　　要：自钢琴传入中国以来,便被快速传播。从上世纪起,一大批中国作曲家致力于创作具有中国特色的钢琴作品,将中国民族传统音乐元素与西方作曲技法相结合,开拓了中华古韵传承的新路径。钢琴前奏曲《筝箫吟》便是中西方音乐完美融合的典型代表之一。筝与箫本是中国古老的传统乐器,作曲家用西洋乐器表现其声,既赋予了钢琴作品别样的韵味,更是在新的时代背景下对中华古韵的传承。文章从中国风格钢琴音乐传承的视角,分析《筝箫吟》的创作理念和音乐本体中的中国之韵,并探讨其具体的演奏技法,以期为更好地欣赏和演奏中国钢琴作品提供参考。Since the introduction of the piano to China,it has rapidly spread throughout the country.Since the last century,numerous Chinese composers have been dedicated to creating piano works with distinctive Chinese characteristics,fusing traditional Chinese musical elements with Western compositional techniques,thereby forging a new path for the preservation of ancient Chinese charm.The piano prelude"Zheng Xiao Yin"is a quintessential example of the perfect integration of Chinese and Western music.The Zheng and Xiao are ancient traditional Chinese instruments,and composers use Western instruments to emulate their sounds.This not only imparts a unique charm to piano works but also perpetuates ancient Chinese aesthetics in a contemporary era.From the perspective of inheriting Chinese-style piano music,this article analyzes the creative concept of"Zheng Xiao Yin"and the inherent Chinese charm in the music itself,and explores specific performance techniques,aiming to provide insights for better appreciation and performance of Chinese piano works.

关 键 词：《筝箫吟》 储望华 古韵 钢琴前奏曲 

分 类 号：J624.1[艺术—音乐] J614