写生与谋生——20世纪三四十年代西行艺术家的“生计”问题及其他  

Sketching and Making a Living:The“Livelihood”and Other Issues of Artists Going to China's Western Regions in the 1930s and 1940s

作　　者：孙丹妮 Sun Danni(Central Academy of Fine Arts)

机构地区：[1]中央美术学院

出　　处：《美术》2024年第6期89-99,88,共12页Art Magazine

摘　　要：本文以20世纪三四十年代从内地赴西部边地考察的艺术家群体为研究对象,结合政府档案、新闻报道、日记、回忆性文章及摄影集等资料,按照公务出行和自费旅行的划分,对此两类过程中的收入、消费、社交和创作问题进行探讨,并通过阐述其中的关联,探究这一微观视角在艺术史研究中的重要性。is article studies the groups of artists who went to China's western regions to carry out inspection in the 1930s and 1940s. Based on government archives, news reports, diaries, retrospective articles, photo albums and other materials, the article discusses the income, expenditure, social interaction and creation of these inspection groups by dividing them into official and self-funded ones, and explores the importance of this aspect in the study of art history by elaborating on connections of these two kinds of groups.

关 键 词：西北写生 敦煌艺术研究所 西北艺术文物考察团 沈逸千 吴作人 

分 类 号：J209.2[艺术—美术] K258[历史地理—历史学]