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作 者:刘玉龙[1] Liu Yulong(School of Fine Arts,Shaanxi Normal University)
机构地区:[1]陕西师范大学美术学院
出 处:《美术》2024年第6期100-106,共7页Art Magazine
基 金:国家社科基金艺术学西部项目《中国古代存疑画学文献整理与研究:画学伪书辨证》(项目编号:22EF208)的阶段性研究成果。
摘 要:唐代诗人王季友著有《观于舍人壁画山水》诗一首,然诗题中“于舍人”为谁,一直存在争议。清代王原祁等人纂辑《佩文斋书画谱》,误将王季友诗题中“于舍人”和于邵视为两人,彭蕴灿《历代画史汇传》及20世纪以来孙濌公、朱铸禹、齐师白、俞剑华等人编著画家人名辞典,皆接踵其说。今考,“于舍人”即于邵,曾以他官知制诰,自言“忝西掖舍人”,后职掌中书而居“文士之极”,因两《唐书》未明确著录,故后世多不察其曾官迁中书舍人,致使《佩文斋书画谱》之误延续至今。There has been controversy over who “Secretariat Drafter Yu” is in the title of the poem Viewing Secretariat Drafter Yu's Landscape Painting on the Wall written by Wang Jiyou, a poet of the Tang Dynasty. During the Qing Dynasty, Wang Yuanqi and others compiled the Manuals of Calligraphy and Painting from the Peiwen Studio and mistakenly regarded “Secretariat Drafter Yu”and Yu Shao as two different people. Later, Peng Yuncan, who complied the Record of Painting History of Various Dynasties, and Sun Tagong, Zhu Zhuyu, Qi Baishi and Yujianhua, who have compiled a dictionary of famous painters' names since the 20th Century, all thought the same. However, today's study shows that “Secretariat Drafter Yu” was Yu Shao, who referred to himself as “Tianxiye Drafter” as he worked as an official transcriber of imperial decrees, and later ranked among the “best literati” after he was promoted to Secretariat Drafter. Due to the lack of relevant records in the Old Book of Tang and the New Book of Tang, people of later generations did not know that Yu was once a Secretariat Drafter, thus continuing with the mistake made in the Manuals of Calligraphy and Painting from the Peiwen Studio till this day.
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