阶级视角下的米莱斯作品风格之变  

Changes in the Style of John Everett Millais'Artworks from the Class Perspective

作　　者：魏颖[1] Wei Ying(China University of Political Science and Law)

机构地区：[1]中国政法大学

出　　处：《美术》2024年第6期151-154,共4页Art Magazine

摘　　要：在19世纪英国学院绘画的发展中,拉斐尔前派具有转折性意义。本文从特定历史时期下英国贵族与资产阶级的关系出发,探索拉斐尔前派代表人物米莱斯作品风格的转变,重点分析骑士题材作品的风格与内容选择,揭示其背后的资产阶级审美趣味。The Pre-Raphaelite Brotherhood can be considered a turning point in the development of British academic painting in the 19th Century. This article explores changes in the painting style of John Everett Millais, a representative of the Pre-Raphaelite Brotherhood, from the perspective of the relationship between the aristocracy and the bourgeoisie in Britain in a certain historical period, analyzes knight-themed artworks, and discusses reasons behind the choice of style and theme, so as to reveal changes in the aesthetic taste of the bourgeoisie.

关 键 词：约翰·埃弗里特·米莱斯 拉斐尔前派 资产阶级 审美趣味 骑士题材 

分 类 号：J205[艺术—美术]