向天取色:北宋汝瓷的文化属性刍议  

Looking to the Sky for Color:Discussions on the Cultural Attributes of Ru Ware of Northern Song Dynasty

作　　者：王新政 王怀钦 

机构地区：[1]汝州市德丰汝瓷有限公司 [2]甘肃省人民政府文史研究馆《甘肃文史》杂志

出　　处：《中国陶瓷工业》2024年第2期121-125,共5页China Ceramic Industry

摘　　要：汝瓷文化是华夏文明和中国故事中兼具物质属性、艺术神韵与精神内涵三位一体的“中国符号”。本文以北宋汝瓷入宫事件为切入点,就北宋政治宗教导向,尤其是徽宗对道教神霄派的独尊,并结合汝瓷材料的神性寓意、工艺上的道教倾向和天青釉“向天取色”“表里俱澄澈”所具有的德政特征,剖析了典范汝瓷所具有的文化根基与属性,并对唐宋宫廷御用陶瓷等相关问题有所涉及,提出了一定的具有创新性的观点。The culture of Ru ware is a"Chinese symbol"that combines material attributes,artistic charm and spiritual connotation in Chinese civilization and Chinese stories.This article takes the event of Ru wares entering the palace in the Northern Song Dynasty as the starting point,and analyzes the cultural foundation and attributes of model Ru wares based on the political and religious orientation of the Northern Song Dynasty,especially Emperor Huizong's dominance of the Taoist Shenxiao school,and the divine connotation of the Ru ware's material,the Taoist tendency in the craftsmanship,the virtues and political characteristics of the azure glaze"taking color from the sky"and being"clear both on the outside and inside";furthermore,it puts forward certain innovative ideas on related issues such as royal ceramics in the Tang and Song Dynasties.

关 键 词：道器 汝窑为魁 向天取色 文化属性 

分 类 号：J527[艺术—艺术设计] K244[历史地理—历史学] B958[历史地理—中国史]