禅宗美学对中日陶瓷茶器影响探微  

The Influence of Chanzong Aesthetics on Chinese and Japanese Ceramic Tea Ware

作　　者：潘之琳 文卫民[1] Pan Zhilin;Wen Weimin(Changsha University of Technology,Changsha,410114)

机构地区：[1]长沙理工大学,长沙410114

出　　处：《陶瓷研究》2024年第2期113-115,共3页Ceramic Studies

摘　　要：禅宗美学作为中国古代美学史上具有深广影响的“四大美学主潮”之一,更多的影响了人们对日常生活的思考方式与审美体验。禅宗在国内禅宗文化中影响深远,各大宗派自南至北,传承遍及海内域外,远至日本。本文通过梳理禅宗历史文化,结合相关作品与实物,将中、日两国的陶瓷茶器设计风格和思想文化作为研究对象,探究中国禅宗美学对中日陶瓷茶具风格的影响,兼论两国禅宗文化发展及陶瓷茶器的异同,为禅宗美学特征的陶瓷茶具设计提供理论借鉴。As one of the"four major aesthetic trends"with profound and wide influence in the history of ancient Chinese aesthetics,Chanzong aesthetics has influenced people's way of thinking and aesthetic experience of daily life.Chanzong has a profound influence on the domestic Chanzong culture,and the traditions of the major sects spread from south to north,as far as Japan.By combing the history and culture of Chanzong Buddhism and combining relevant works and objects,this paper takes the design style and ideology of Chinese and Japanese ceramic tea ware as the research object,explores the influence of Chinese Chanzong aesthetics on the style of Chinese and Japanese ceramic tea ware,discusses the development of Chanzong culture and the similarities and differences of ceramic tea ware in the two countries,and provides theoretical reference for the design of ceramic tea ware with Chanzong aesthetic characteristics.

关 键 词：陶瓷 南岳禅宗美学 茶器 日本 

分 类 号：J527[艺术—艺术设计]