明末大儒黄道周的《诗经》观论析  

An Analysis of Confucian Huang Daozhou's Views on the Book of Songs in the late Ming Dynasty

作　　者：许卉[1] Xu Hui(Institute of Philosophy,Hebei Academy of Social Sciences,Shijiazhuang Hebei 050051,China)

机构地区：[1]河北省社会科学院哲学研究所,河北石家庄050051

出　　处：《河北经贸大学学报（综合版）》2024年第2期11-17,共7页Journal of Hebei University of Economics and Business(Comprehensive Edition)

摘　　要：明末大儒黄道周在《诗经》方面造诣深厚。他以“诚正”来定位《诗经》,认为其蕴有精理奥义、旨趣可绎。同时他对《诗经》中的主要问题进行剖析,如“孔子删诗”“《诗》亡,《春秋》作”“二南之义”“郑声淫”等都提出了独特的认知。黄道周在诠释《诗经》上,汉宋交融、四家兼采,同时注重《诗经》的文学性,体现了晚明《诗经》学发展既综摄又创新的特点。The great Confucian scholar Huang Daozhou,from the late Ming Dynasty,achieved significant depth in his understanding of the Book of Songs.He esteemed the anthology as"sincerely upright,"maintaining that it encapsulates profound meanings and is re-plete with interpretive concepts.Concurrently,he delved into major themes within the Book of Songs,such as"Confucius'editing of the poems,""The compilation of The Spring and Autumn Annals following the decline of The Book of Songs,""the significance of the'Two Nans',"and"the degeneration of Zheng's music,"offering unique perspectives on each.When interpreting the Book of Songs,Huang Daozhou ingeniously combined insights from both the Han and Song dynasties and embraced the teachings of the four schools of thought.At the same time,he underscored the literary essence of the Book of Songs.His viewpoint exemplified the features of late-Ming scholarship,which displayed both comprehensive integration and innovative advancement.

关 键 词：黄道周 《诗经》 孔子删诗 郑声淫 

分 类 号：I207.22[文学—中国文学]