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作 者:李勇[1] LI Yong(School of Literature and Communication,Xianyang Normal University,Xianyang 712000,Shaanxi,China)
机构地区:[1]咸阳师范学院文学与传播学院,陕西咸阳712000
出 处:《咸阳师范学院学报》2024年第3期87-92,共6页Journal of Xianyang Normal University
基 金:国家社会科学基金项目(18BWW022)。
摘 要:作为京都学派的开山鼻祖之一,狩野直喜借鉴欧洲汉学的俗文学研究理念,深入细致地爬梳中国戏曲小说的文献资料,创建一个系统完善的中国俗文学研究体系。他在纯文学观念的基础上充分肯定小说、戏曲等俗文学的价值,运用文学史理念基本澄清中国小说、戏曲的发展源流与文类特征演变。经过狩野直喜与其后辈学者薪火相传的学术推进,形成文学史视野、版本考证、文本细读三个方面密切结合的研究格局,把中国俗文学研究提升到一个全新的高度。As one of the pioneers of the Kyoto School,KanoNaoki,inspired by the popular litera-ture research concepts of European Sinology,created a systematic and complete research system of Chi-nese popular literature through the literary materials of Chinese opera novels.On the basis of pure liter-ature,he fully defined the value of popular literature,and used the concept of literary history to clarify the development and evolution of the literary characteristics of Chinese novels and operas.Through the academic progress inherited from KanoNaoki and his younger scholars,a research pattern that closely combines the perspective of literary history,version verification and text reading has been formed,rais-ing Chinese popular literature to a new height.
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