新生代陕西作家范墩子小说的“抒情”进路  

The Lyrical Approach in the Novels of Shaanxi’s New GenerationWriter Fan Dunzi

作　　者：王淼 WANG Miao(School of Chinese Language and Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《咸阳师范学院学报》2024年第3期99-102,共4页Journal of Xianyang Normal University

基　　金：湖北省教育厅哲学社会科学研究专项基金项目(22Z048);湖北省大学生思想政治教育评价中心2022专项课题(2022YB006)。

摘　　要：陕西文学继承了中国文学抒情传统,生发出饱含秦人赳赳之势的抒情传统。新生代陕西作家范墩子以原乡、中国式现代化作为抒情焦点,以抒情话语、反抒情话语、乡土魔幻现实话语介入小说抒情抵牾,以丰富的阅读经验与写作实践,孤独、忧郁与冒险的个人气质建构抒情矩阵,为新生代陕西作家开拓了可能的抒情进路。Shaanxi literature has inherited the lyrical tradition of Chinese literature and created a lyrical tradition full of the Qin people’s gallantry.Fan Dunzi,a new generation of Shaanxi literary writ-ers,intervenes in the lyrical contradiction of the novel with lyrical discourse,anti-lyrical discourse and rural magic reality discourse.He takes the original countryside and Chinese modernization as the focus of his lyricism,and constructs a lyric matrix with his rich reading experience and writing practice,and his personal temperament of loneliness,melancholy and adventure,which provides a possible way to open up the path of lyricism for the new generation of Shaanxi writers in literature.

关 键 词：范墩子 原乡 中国式现代化 抒情抵牾 乡土魔幻现实话语 

分 类 号：I206.7[文学—中国文学]