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作 者:熊江梅[1] Xiong Jiangmei
机构地区:[1]湖南师范大学文学院
出 处:《中国文化研究》2024年第2期39-53,共15页Chinese Culture Research
基 金:国家社会科学基金项目“日本杜诗学研究”(18BZW074)的阶段性成果。
摘 要:江户时代日本汉诗学因受宋、明、清诗学的不同影响而呈现出前期“宗宋”、中叶“尊唐”、后期折衷各家的阶段性。木门派多以儒学知名,又受到明诗习染,其杜诗接受糅合着宗宋、尊唐、倡明的各种声音,呈现出从“宗宋”到“唐明并尊”的过渡性。木门派杜诗阐释有理学化色彩,与朱子学派崇杜通于“宗经”“明道”的观念时有契合;木门派据雅俗、正变之辨对杜诗予以盛唐化阐释,凸显杜诗雅正的盛唐风貌;木门派杜诗学有实践性品格,注重抉发杜诗的艺术特点及范本意义以指导汉诗写作。木门派杜诗学因其包容性、丰富性及实践性,成为从前期理学诗学到中期格调说的重要环节,具有独特的诗学史意义与价值。The development of Chinese poetics in Japan reached its peak in the Japanese Edo period and demonstrated periodic characteristics due to the different influences by the poetics of the Song,Ming and Qing dynasties.In the early Edo period,Chinese poetics in Japan mainly upheld Song style.In the Mid-Edo period,it advocated Tang style gradually.In the late Edo period,eclecticism was adopted.In the transfer from Tang poetics to Song poetics in the Early and middle Edo period,Kinoshita School displayed their key transitional roles.Kinoshita School was mostly known for Confucianism,and was influenced by the poems of the Ming Dynasty,and its acceptance of Du Fu's poems integrated various voices like"the Songoriented"and"the Tang and Ming-respecting,"showing a transition from"the Song-oriented"to"the Tang and Ming-respecting."The interpretation of Du Fu's poems by the Kinoshita School had a color of Neo-Confucianism,which sometimes coincided with the Zhuists'concept:"worshiping Du Fu"is connected with"advocating classics"and"clarifying principle."According to the distinction between the refined and vulgar,the Kinoshita School interpreted Du Fu's poems with a flourishing Tang dynasty style,highlighting its elegant style.The interpretation of Du Fu's poems by the Kinoshita School also had a practical character,and focused on the artistic characteristics and model significance of Du Fu's poems to guide the writing of Chinese poems.Due to its inclusiveness,richness and practicality,the interpretation of Du Fu's poems by the Kinoshita School became the important transition from the early Neo-Confucianism poetics to the mid-term theory of literary style,showing a unique significance and value in the history of poetics.
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