当代诗学的现代化与本土化  

Modernization and Localization of Contemporary Poetics

作　　者：宋宝伟[1] Song Baowei

机构地区：[1]哈尔滨师范大学文学院

出　　处：《文学与文化》2024年第1期52-58,共7页Literature and Culture Studies

基　　金：2022年度黑龙江省哲学社会科学研究规划项目“新世纪诗歌理论建构研究”(22ZWB267);黑龙江省博士后资助经费和科研启动金项目“当代诗学理论建构与诗歌生态研究”(LBH-Q16138)阶段性成果。

摘　　要：中国当代诗学在现代化建构过程中深受西方诗学资源的影响。20世纪50年代至60年代,当代诗学向苏联学习、借鉴现实主义诗歌理论,在有限的空间里保持着与外界的交流。新时期以来,当代诗学与西方诗学的关系日趋紧密,域外诗歌理论和文本的译介和传播呈现出常态化趋势。借鉴西方诗歌资源之后的当代诗学不仅面临本土化改造的任务,而且要完成对中国传统诗学资源的继承和转化,唯其如此,多元、开放、活力的当代诗学才能真正确立。Chinese contemporary poetics is deeply influenced by western poetics resources in the construction of modernization.In the 1950s and 1960s,contemporary poetics learned from the Soviet Union and drew on the realistic poetic theory,and maintained the communication with the outside world in the limited space.Since the new period,the relationship between contemporary poetics and western poetics has become increasingly close,and the translation and dissemination of foreign poetic theories and texts have shown a trend of normalization.After learning from western poetics resources,contemporary poetics not only faces the task of local transformation,but also needs to complete the inheritance and transformation of traditional Chinese poetics resources.Only in this way,can pluralistic,open,and dynamic contemporary poetics be truly established.

关 键 词：当代诗歌 西方诗学 传统诗学 本土化 

分 类 号：I207.25[文学—中国文学]