视频化生存时代的失神症及其时间弥合机制研究  

"The Moment of Waking Up":Picnolepsy and Time-bridging Mechanism in the Short-video Era

作　　者：刘倩欣 刘涛[1] LIU Qian-xin;LIU Tao

机构地区：[1]暨南大学新闻与传播学院,广东广州510632

出　　处：《新闻大学》2024年第4期93-104,120,共13页Journalism Research

基　　金：国家社会科学基金重大项目“中华文化经典符号谱系整理与数字人文传播研究”(23&ZD211)。

摘　　要：失神症喻示了一种点状的时间形态。在该视角下,绵延时间体验的形成有赖于技术假体对时间缝隙的弥合。由此,失神症为思考媒介技术如何形塑人类时间体验提供了新的认知维度。维利里奥主要立足电影而提出失神症及相关思想。在短视频时代,失神症在发生场景、症候表现和运作机制三方面形成了新的内涵,建构了新的时间观念及实践:维利里奥论述的基点——“醒与梦”不再清晰区分,人与时间的关系看似恢复和谐,但人的主体性可能已因速度的暴力而破碎。Picnolepsy indicates that time is in the shape of points,in this perspective,the continuous time experience is formed by technical prostheses which intervene in the perceptual system of human beings and bridge the gap of time experience.Therefore,picnolepsy provides a new dimension to understanding how media technology shapes the time experience of human beings.Paul Virilio puts forward the idea in the film era,while the emerging visual forms and the time experience shaped by them have gone beyond the original explanatory scope of this concept,so it is necessary to be re-contextualized with critical reflection.In the era of short videos,picnolepsy has gained new connotations in aspects of occurrence scene,symptom manifestation and operation mechanism,and has constructed new ideas and practices of time:the bases of Virilio's discussion–"waking and dreaming"are no longer clearly distinguished,the relationship between man and time seems to be restored to harmony,but man's subjectivity may have been broken due to the violence of speed.

关 键 词：短视频 媒介时间 保罗·维利里奥 媒介批评 

分 类 号：G206[文化科学—传播学]