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作 者:邱吉 QIU Ji
机构地区:[1]清华大学美术学院
出 处:《当代美术家》2024年第1期30-46,共17页Contemporary Artists
基 金:2023年国家社科基金艺术学青年项目“20世纪以来中国书画文献在东亚的译介传播研究”(23CF191)阶段性研究成果。
摘 要:高岛菊次郎是近代日本著名的实业家、书法家和篆刻家,平生热衷于收藏中国书画,他的收藏不仅数量大、品种多而且质量高,以“槐安居”收藏著称。本文以东京国立博物馆的“高岛藏品”为中心,较为系统地梳理和考察了高岛购入这些书画的主要时间、地点、价格、旧藏者等具体的细节和经过,试图通过探究高岛购藏中国书画的动机和原因,管窥近代日本的中国书画鉴赏品味从“煎茶趣味”转向“新舶载”的收藏和研究动向。Kikujirō Takashima is a renowned industrialist,calligrapher,and seal engraver in modern Japan,who had a passionate interest in collecting Chinese paintings and calligraphy.His collection,known for its large quantity,diverse types,and high quality,is famously associated with the“Kai-an Residence.”This paper focuses on the“Takashima Collection”at the Tokyo National Museum,systematically organizing and examining the specific details and processes of Takashima’s acquisitions,including the main timing,locations,prices,and previous owners of these artworks.By exploring Takashima’s motives and reasons for collecting Chinese paintings and calligraphy,the study aims to glimpse the shift in modern Japanese taste in appreciating Chinese paintings and calligraphy from the“sencha interest”to a trend of collecting“newly arrived foreign goods.”
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