西方民间叙事的数字“三”范式  

Paradigm of the Number“Three”in Western Folk Narrative

作　　者：陈珍[1] 王志云 CHEN Zhen;WANG Zhi-yun(College of Foreign Languages,Qinghai Minzu University,Xining Qinghai 810007,China)

机构地区：[1]青海民族大学外国语学院,青海西宁810007

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第6期92-95,108,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：在西方文化中,数字被赋予深刻的人文内涵,数字“三”意蕴尤其丰富,数字“三”在西方民间叙事中出现的频率很高,形成鲜明的数字“三”范式,发挥了独特的叙事功能,具体表现为:数字“三”神秘魔力,数字“三”叙事节奏,数字“三”优胜原则,数字“三”范式也成为西方民间叙事的标志性符号。Profound culture is hidden in numbers,of which the number“three”especially has abundant connotation.“Three”is viewed as a standard or an extreme in amount or degree.It also refers to a sort of widely-recognized rule or scale.“Three”is sanctified with magic generating power usually in form of three-set or three-unit.Frequently“three”appears in Western folk literature with its narrative functions,which defines the rhythm of tale and presents superiority principle.This way of narrative has been a paradigm or motif in Western folk literature.

关 键 词：西方民间叙事 数字“三”范式 数字“三”神秘魔力 数字“三”叙事节奏 数字“三”优胜原则 

分 类 号：I106[文学—世界文学]