论《孤独行路》的记忆书写兼及华人文学的遗孤叙事研究  

On the Memory Writing in Walking Alone and the Narrative Study of Japanese War Orphans in the Overseas Chinese Literature

作　　者：张益伟[1] ZHANG Yi-wei(Department of Chinese Language and Literature,Anyang Normal University,Anyang Henan 455000,China)

机构地区：[1]安阳师范学院文学院,河南安阳455000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第6期109-114,共6页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：教育部社科基金项目:日本华人华侨文学(1945-2022)的生成机制与文化资源征引利用研究(22YJA751025)。

摘　　要：孟庆华的长篇小说《孤独行路》聚焦二战后日本遗孤的生存状况和命运变迁,小说以个人亲历者视角来呈现战后遗孤的人生经验图像,从个人记忆视角鲜活生动地形塑一段被大历史所遮蔽的时代声音。小说关注到遗孤群体的现实和生命状态,既充满了对遗孤的人道主义伦理关怀,也充满了对中国和日本现实与文化的自我审查和质询,通过一种文化间性的方法处理了民族间异域想象的问题,进而为思考中日战争与历史、记忆的遮蔽和连续、遗孤叙事的方法等诸多命题提供了新颖的视角。Meng Qing-hua’s novel Walking Alone focuses on the living condition and the fate of Japanese war orphans after the Second World War,telling the images of the life experiences of Japanese war orphans left in China in the first person perspective,and reveals vividly the voice of the times hidden by the great history from an individual perspective memory.The novel concerns about the reality and living state of Japanese war orphans left in China,which is full of humanitarian care for the orphans as well as self-censoring and inquiry into the reality and the culture between China and Japan.The novel deals with the problems of exotic ethnic imagination through an intercultural approach,and offers some new perspectives and methods to think about Sino-Japanese War and the history,the ignorance and continuity of memory,the narrating of Japanese war orphans left in China.

关 键 词：《孤独行路》 孤儿视角 疼痛叙述 历史省思 遗孤叙事问题 

分 类 号：I313.074[文学—其他各国文学]