康巴地区藏族圈舞形态成因探源  

The Analysis on the Formation of the Circle Dance of Zang in Kham

作　　者：熊云绯[1] Xiong Yun-fei(Sichuan Minzu College,Kangding,Sichuan 626001,China)

机构地区：[1]四川民族学院,四川康定626001

出　　处：《四川民族学院学报》2024年第2期96-100,共5页Journal of Sichuan Minzu College

摘　　要：本文从历史遗存出发,指出康巴地区藏族民间舞蹈多以圈舞形态呈现的原因具有多元性。圈舞是藏族先民古老且常见的舞蹈构图形式的遗存,这种舞蹈形态因情感交流与社会秩序构建需要而形成,因地理环境和农牧业生产方式而造就。围圈舞蹈是多民族文化交流融合的结果;是传统文化尚“圆”审美取向的反映;也是藏族人民宗教信仰和民族性格的体现。Based on historical relics,this article points out that the folk dance of the Zang in Kham is mainly presented in the form of the circle for different reasons.The Circle dance is the relics of the old and common forms of the dance composition by ancient ancestors of Zang people.This dance had devel⁃oped due to the need of emotional communication and social orders;it was effect of the geographical envi⁃ronment and the means of existence as well.And circle dance is not only the result of multi⁃ethnic cultur⁃al exchange and integration,but also the embodiment of the aesthetic inclination of“circle”rooted in the traditional culture,which reflects the religious belief and ethnic characteristics of the Zang people.

关 键 词：康巴地区 舞蹈构图 舞蹈纹彩陶盆 圈舞形态 锅庄 

分 类 号：J722.22[艺术—舞蹈]