“申遗后”时期淮北花鼓戏戏曲生态研究  

A Study on the Ecology of Huaibei Flower Drum Opera after Application for the List of World Heritage

作　　者：李小娜[1] Li Xiaona(School of Music,Suzhou University,Suzhou 234000,China)

机构地区：[1]宿州学院音乐学院,安徽宿州234000

出　　处：《黑河学院学报》2024年第6期163-165,188,共4页Journal of Heihe University

基　　金：2023年度安徽省高校哲学社会科学研究项目“‘文化自信’背景下淮北花鼓戏申遗成功后戏曲生态变化研究”(2023AH052215)。

摘　　要：淮北花鼓戏自其成功申遗以来,戏曲生态经历了翻天覆地的变革。关注其在申遗光环下所取得的发展成果,更着重探讨背后隐藏的挑战与困境。在细致分析其发展现状之余,挖掘其面临的核心问题,如传承的断层、观众结构的失衡及市场化进程中的种种障碍。同时,探讨淮北花鼓戏的未来走向,探寻在全球化、现代化的大背景下,如何为其找到一条既能保持传统魅力,又能与时俱进的发展之路。Since Huaibei Flower Drum Opera successfully applied for the List of World Heritage,the ecology of traditional Chinese opera has undergone earth-shaking changes.This article focuses on its development achievements under the halo of applying for World Heritage,explores the hidden challenges and diffi culties behind it,discusses its current development status in detail,and attempts to uncover the core issues it faces,such as gaps in inheritance,imbalanced audience structure,and various obstacles in the marketization process.At the same time,the article explores the future direction of Huaibei Flower drum opera in a forward-looking manner,and explores how to fi nd a development path that can maintain its traditional charm while keeping up with the times in the context of globalization and modernization.

关 键 词：淮北花鼓戏 世界文化遗产 戏曲生态 保护与传承 

分 类 号：J825[艺术—戏剧戏曲]