边地、昆明城与中国当代新诗的地方空间建构  

Border Areas,Kunming City,and the Local Space of Contemporary Chinese Poetry

作　　者：陈琳 Chen Lin

机构地区：[1]昆明学院人文学院

出　　处：《上海文化》2024年第6期52-60,共9页Shanghai Culture

基　　金：国家社科基金后期项目“空间视域下的中国新诗史及阐释体系建构(1917-1949)”(项目号:23FZWB081);云南省社科基金青年项目“边地空间与云南当代新诗创作研究”(项目号:QN202128)的阶段性成果。

摘　　要：当代新诗创作与地域性之间存在着紧密的互塑关系。云南作为当代新诗地理版图建构的西南边地重镇,以其疏离于政治、经济发展中心的“在野者”气质为当代新诗提供了独特的创作土壤;不同于西方基于资本主义文明进程的现代性批判,云南诗人的乡愁更多来源于边地与现代都市之间的人文地理差异,以及难以被城市所接纳带来的情感结构与身份认同问题等,体现出当代文学怀乡书写的殊异性;云南诗人借助于地域、自然与个人经验为当代新诗的精神流徙寻觅皈依之处,也呈现了边地在不断被建构的他者化叙事中所面临的问题。There is a close interaction between contemporary new poetic creation and regionalism.Yunnan,as an important southwestern border town in the map of contemporary new poetry,provides a unique environment for contemporary new poetry with its temperament of"wilderness"featured in its detachment from the political and economical center.Unlike Western critiques of modernity based capitalist civilization,Yunnan poets'homesickness stems more from the cultural and geographical differences between the border areas and modern cities,as well as the emotional and identical issues brought by the dificulties of being accepted by cities,which makes a difference in contemporary literary homesickness writing.Yunnan poets rely on geography,nature,and personal experience to seek refuge in the spiritual flow of contemporary new poetry,and also present the problems faced by the frontier in the constantly constructed otherness narrative.

关 键 词：当代新诗 边地 昆明 空间 乡愁 

分 类 号：I207.25[文学—中国文学]