“君子不器”理论下动画电影《姜子牙》的主题、人物与场景的重构研究  

Research on the Reconstruction of the Theme,Characters,and Scenes of the Animation Film Legend of Deification under the Theory of "The Gentleman is No Vessel"

作　　者：袁阳 邓玉娟 YUAN Yang;DENG Yujuan(Institute of Art&Design,Nanjing Institute of Technology,Nanjing 211167,Jiangsu,China;College of Arts and Design,Ningbo University of Finance&Economics,Ningbo 315000,Zhejiang,China)

机构地区：[1]南京工程学院艺术与设计学院,江苏南京211167 [2]宁波财经学院艺术设计学院,浙江宁波315000

出　　处：《玩具世界》2024年第4期90-92,共3页Toys World

基　　金：江苏省高校哲学社会科学研究一般项目(2022SJYB 0453)阶段性研究成果。

摘　　要：《姜子牙》这部动画口碑呈现两极分化,它的改编有许多值得借鉴的地方,如对中国传统文化的保留与重构,融入主流意识形态,从而增强动画作品的复杂性,使之更符合当今的价值取向。文章尝试从叙事的重构、人物成长的表达和场景意义的创造三个方面进行阐述,分析传统文化与现代性的结合,为动画的创新性创作提供一些可借鉴的经验。The animation Legend of Deification has a polarized reputation,and its adaptation has many aspects worthy of reference,such as the retention and reconstruction of traditional Chinese culture,integrating mainstream ideology,so as to enhance the complexity of animation works,making it more in line with today's value orientation.This paper attempts to elaborate on three aspects:the reconstruction of narrative,the expression of character growth and the creation of scene meaning.It analyzes the combination of traditional culture and modernity,and provides some experience for the innovative creation of animation.

关 键 词：《姜子牙》 “君子不器”理论 动画电影 

分 类 号：J218.7[艺术—美术]