“得意忘象”在动画场景设计中的应用研究  

Research on the Application of "Conveying Meaning While Forgetting Image" in Animation Scene Design

作　　者：常若秋 CHANG Ruoqiu(Zhengzhou University of Light Industry,Zhengzhou 450003,Henan,China)

机构地区：[1]郑州轻工业大学,河南郑州450003

出　　处：《玩具世界》2024年第4期109-111,共3页Toys World

摘　　要：文章以王弼言意观为指导,探讨当代影视动画场景设计如何追求去伪存真、气韵生动,探索深远意境。这一理念倡导通过创新改革传统“象”的表现方式,结合传统精髓与现代创新,深化动画中故事与角色的表达,实现文化与哲学层面的融合与再构建。Guided by Wang Bi's view of the relationship between speech and meaning,this paper discusses how contemporary film and television animation scene design pursues authenticity,vividness,and explores profound artistic conception.This concept advocates deepening the expression of stories and characters in animation and realizing the integration and reconstruction of culture and philosophy by innovating and reforming the expression of traditional "image" and combining traditional essence with modern innovation.

关 键 词：“得意忘象” 言意观 动画场景设计 

分 类 号：J218.7[艺术—美术] G124[文化科学]