芥川龙之介《罗生门》的空间叙事和伦理表达  

The Spatial Narrative and Ethical Expression in Akutagawa Ryunosuke’s Rashomon

作　　者：沈彩虹 刘晓芳[1] SHEN Caihong;LIU Xiaofang(School of Foreign Studies,Tongji University,Shanghai 200092,China)

机构地区：[1]同济大学外国语学院,上海200092

出　　处：《上海理工大学学报（社会科学版）》2024年第3期233-239,共7页Journal of University of Shanghai for Science and Technology：Social Sciences Edition

基　　金：同济大学智库与学术影响类文科交叉项目(1100219153)。

摘　　要：芥川龙之介的短篇小说《罗生门》因其丰富的伦理内涵和艺术特色而始终在评论界占据重要位置。本文借助文学伦理学批评方法,分析作品的空间叙事、暗疮隐喻和主人公的伦理选择之间的内在逻辑关系,认为《罗生门》的空间叙事承载着丰富的伦理意义,是表达作品伦理主题的重要手段,而仆人右脸颊上的“暗疮”是作者借以表现伦理意识变化的重要道具,也是仆人体内逐步外化的兽性因子的隐喻。仆人最终选择了盗匪之路,这一伦理选择反映了芥川在《罗生门》创作前后深陷的伦理困境,也是其对束缚人性的封建家族主义制度的反抗。Akutagawa Ryunosuke’s short story Rashomon has always been a hot topic of critics because of its rich ethical connotation and artistic characteristics.From the perspective of ethical literary criticism,this paper attempts to analyze the internal logical relationship between the spatial narrative,the metaphor of the festering pimple and the ethical choice of the protagonist.The spatial narrative of Rashomon carries rich ethical meaning and expresses the ethical theme.The festering pimple on the servant’s right cheek is an important prop by which the author expresses the change of ethical consciousness,and it is also a metaphor of the animal factor that becomes gradually externalized.Finally,The servant’s ethical choice to be a thief mirrors the ethical confusion that Akutagawa experienced before and after writing Rashomon,and his resistance to the feudal familial system that opresses human nature.

关 键 词：《罗生门》 空间叙事 伦理困境 伦理选择 

分 类 号：I106.4[文学—世界文学]