论朱仙镇木版年画对民间文化的接受与创新  

On the Acceptance and Innovation of Folk Culture in Wood-block New Year Paintings in Zhuxian Town

作　　者：李进宁 田恬 张佳欣 LI Jinning;TIAN Tian;ZHANG Jiaxin(School of Literature,Zhengzhou Normal University,Zhengzhou,Hennan 450044,China)

机构地区：[1]郑州师范学院文学院,河南郑州450044

出　　处：《中州大学学报》2024年第3期80-84,89,共6页Journal of Zhongzhou University

基　　金：国家社科基金后期资助项目“屈骚神话研究”(21FZWB028);郑州师范学院创新项目“民俗文化视角下朱仙镇木版年画及大众传播研究”(DCZ2023025)。

摘　　要：作为一种民间艺术,朱仙镇木版年画根植于民间故事、神话传说、古典戏曲以及风俗民情等民间文化。它对民间信仰的接受、对谐音双关语纳祥祈福习俗的文化传承、对生产生活的再现以及对历史故事、民间传说与古典文学的接受与演绎等是其主要部分。在民间运用广泛且传播效果好,常作为价值理念传播的载体,对人们的思想观念、行为方式产生重大影响。通过新时代背景下朱仙镇木版年画的创新与功用的探讨,洞悉了它所蕴含的民间文化和意义及其对当代社会的功用。As a kind of folk art,the wood-block New Year paintings in Zhuxian town are rooted in folk stories,myths and legends,classical operas,customs and other folk culture.Its main parts are the acceptance of folk beliefs,the cultural inheritance of homophonic puns,the reproduction of production and life,and the acceptance and interpretation of historical stories,folk legends and classical literature.Therefore,it is widely used among the people and has a good communication effect.It is often used as a carrier of values and has a significant impact on people’s ideas and behaviors.In addition,through the discussion of the innovation and function of the wood-block New Year paintings in Zhuxian town,we can understand its folk culture and significance and its function to contemporary society.

关 键 词：朱仙镇木版年画 民间文化 文化传承 

分 类 号：J217[艺术—美术]