中国语境下20世纪30年代现代主义诗歌中“现代情绪”的书写  

The Writing of “Modern Sentiment” in Modernist Poetry of the 1930s in Chinese Context

作　　者：杨佳琦 Yang Jiaqi(College of Humanities,Kunming University,Kunming Yunnan 650214,China)

机构地区：[1]昆明学院人文学院,云南昆明650214

出　　处：《河北科技师范学院学报（社会科学版）》2024年第2期62-67,共6页Journal of Hebei Normal University of Science & Technology(Social Sciences)

基　　金：云南省教育厅科学研究基金项目“冯至在昆明时期的文学创作研究”(2023Y0934)。

摘　　要：采用英美新批评的文本细读以及比较互参的方法,分析了现代派诗人对晚唐诗风的现代性重释、现代派诗人在非线性时间观中完成了自我主体的确证、现代派诗人对中国式“荒原”的书写等问题,着眼于当时的历史场域以及晚于西方现代化进程的中国社会层面,试图窥见一批知识分子在中国语境下传达出的不同于西方的、繁复的现代情思。Issues like the modern poets’reinterpretation of modernity of late Tang poetry,the subjectivity confirmation of modernist poets in a nonlinear view of time,and the writing of the Chinese Waste Land of modernist poets are analyzed with methods of new criticism perusing and comparative mutual reference.Given that Chinese society was not developed as well as the western society in modernization process at that time,complicated modern sentiment conveyed by the group of intellectuals in Chinese context is studied.

关 键 词：现代派诗人群体 “现代情绪” 非线性时间观 “晚唐诗热” 中国式“荒原” 

分 类 号：I207.25[文学—中国文学]