绘画与面料的结合:朱伊印花布的工艺特征及其跨文化属性  

Combination of Painting and Fabric:The Craft Characteristics of Toile de Jouy and Its Cross-Cultural Properties

作　　者：夏侠[1] Xia Xia

机构地区：[1]新疆艺术学院

出　　处：《艺术设计研究》2024年第3期48-54,共7页Art & Design Research

基　　金：2024年度广东省哲学社会科学规划项目“AIGC赋能规模化服装定制高质量发展路径研究”(项目编号:GD24CYS26)的阶段性成果。

摘　　要：通过引入铜版印制技术,法国朱伊工场得以在面料上呈现出绘画般的印花效果,而18世纪盛行的艺术潮流也不可避免地影响到当时的图样创作。向前追溯,朱伊印花布的产生还与兴盛于17世纪的海外贸易有关,印度印花棉布和中国装饰元素在欧洲的风靡,均在一定程度上推动了朱伊印花布的问世。随着时代的发展,更加多元化的图像内容和表现手法出现在朱伊印花之中。深入解析朱伊印花布的工艺特征及其演变过程,不仅有助于丰富当代创作者的设计素材,对于开展近代东西方跨文化交流史研究也具有积极意义。Through the introduction of copperplate printing,the French Jouy dyeing and weaving mill was able to present a painterly print effect on the fabric,and the prevailing artistic trends of the 18th century inevitably influenced the pattern creation of the time.Dating back to the beginning,Toile de Jouy was also associated with overseas trade that flourished in the 17th century,the popularity of Indian cotton prints and Chinese decorative elements in Europe,to a certain extent,promoted the advent of Toile de Jouy.With the development of the times,more diversified image content and expression techniques appear in Toile de Jouy.The analysis of the technological characteristics and evolution process of Toile de Jouy not only helps to enrich the design materials of contemporary creators but also has positive significance for the research on the history of modern East-West cross-cultural exchange.

关 键 词：朱伊印花布 铜版画 构成形式 东方文化 

分 类 号：J523[艺术—艺术设计]