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作 者:刘程明 刘彤彤[1] Liu Chengming;Liu Tongtong(School of Architecture,Tianjin University,Tianjin 300072,China)
机构地区:[1]天津大学建筑学院,天津300072
出 处:《天津大学学报(社会科学版)》2024年第4期372-382,共11页Journal of Tianjin University:Social Sciences
基 金:国家自然科学基金重点项目(52038007).
摘 要:明清时期陶渊明影响下的园林景观繁多,为揭示这一现象背后的文化渊源、发展脉络和造景方法而开展研究。文章通过梳理相关园林文献及其园林景观布局,发现陶渊明是贯穿中国古代园林景观发展的重要线索。伴随着文人士大夫对其认知的转变,陶渊明影响下的园林造景在唐代及后世多有呈现,并在宋代逐渐发展成为造景范式雏形。研究发现,该造景范式主要采用整体还原、局部再现和元素提取的造景方法,具有武陵桃源模式和田园隐居模式两类景观创作方向,综合原型意象特征、实际造园环境和现实世界需求进行创作。陶渊明影响下的园林造景展现出了强大的生命力,为明清及现代景观创作奠定了重要的基础。探究该造景范式,对促进传统文化的创新性发展和进步具有一定的意义。The garden landscapes under the influence of Tao Yuanming were numerous in the Ming and Qing Dynasties.In order to reveal the cultural origins,development trajectory,and landscaping methods behind this phenomenon,this research is carried out.Through sorting the relevant garden literature and its garden landscape layout,the paper finds that Tao Yuanming is an im-portant clue running through the development of ancient Chinese garden landscapes.With the change of literati’s cognition,the garden landscaping under the influence of Tao Yuanming were presented in the Tang Dynasty and later generations,and gradual-ly developed into the prototype of the garden landscaping paradigm in the Song Dynasty.The study finds that the garden land-scaping paradigm mainly adopts the landscaping methods of overall restoration,local reproduction and element extraction,and has two types of landscape creation directions:Utopia of the Wuling Mountains mode and pastoral seclusion mode.It combines prototype image characteristics,actual gardening environment and demands of the real world to create.The garden landscaping under the influence of Tao Yuanming showed strong vitality and laid an important foundation for modern landscape creation in the Ming and Qing dynasties as well as in modern times.Exploring this paradigm has certain reference value for promoting the innovative development and progress of traditional culture.
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