工业·人——陈君的陶艺创作  

"Industrial·Humanity"-Chen Jun's Ceramic Artworks

作　　者：张学龙 

机构地区：[1]不详

出　　处：《上海工艺美术》2024年第2期50-52,共3页Shanghai Arts & Crafts

基　　金：基于产教融合与校企合作创新机制模式研究——以湖北地区陶瓷艺术教育与陶瓷产业互动为例,项目编号JY202207。

摘　　要：20世纪80年代,在政策调整与技术进步的影响下,工业化成为了中国社会发展的主旋律,而这一主旋律也深刻地影响了当时的艺术领域,特别是85美术新潮出现后,其求新求思的观念影响了中国一大批青年创作者。当工业化浪潮与艺术思潮“相遇”后,部分艺术家的创作便开始聚焦于工业题材,陈君便是其中较为典型的一位。In the 1980s,under the influence of policy adjustments and technological advances,industrialization became the main theme of China's social development.This theme profoundly affected the field of art at the time,especially after the emergence of the 1985 New Wave Art Movement,which advocated innovation and new thinking,influencing a large number of young Chinese artists.With the convergence of the industrial wave and artistic trends,some artists began to focus their creations on industrial themes,with Chen Jun being a typical representative among them.Chen Jun's works dissolve the"precision"and"coldness"of machinery with the"freedom"and"warmth"of clay,finding a balance between seemingly"opposing"handcraftsmanship and mechanical technology.This balance embodies the restrained and rugged aesthetic of mechanical beauty he advocates.Consequently,Chen Jun's works have become representative of the industrial style in Chinese modern pottery over the past fortyyears.

关 键 词：工业化浪潮 艺术思潮 陈君 陶艺创作 主旋律 中国社会发展 求新 

分 类 号：J527[艺术—艺术设计]