黟县屏山村光裕堂门楼空间艺术风貌探微  

Space Art Style of Guangyu Ancestral Hall Gatehouse in Pingshan Village,Yi County,Anhui Province

作　　者：宾慧中 余乐 

机构地区：[1]不详

出　　处：《上海工艺美术》2024年第2期103-105,共3页Shanghai Arts & Crafts

基　　金：2023年度国家社科基金艺术学一般项目资助(项目号:23BG141)“江南‘水乡环境体系’与‘传统人居’互适机理及其转化研究”。

摘　　要：一、引言徽州宗祠是徽派民居等建筑的精神核心,是地方文化的代表。宗祠建筑的门楼承载着丰富的宗族内涵与历史文化价值,是场所精神的载体,也是民居建筑遗产的重要组成部分。位于黟县屏山村的宗祠光裕堂,始建于明、扩建于清,跨越两个朝代,见证了村落宗族的发展变迁,其门楼也印证着舒氏家族的兴衰史。高耸的门楼装饰精美,营造出祠堂内外有别的艺术风貌。论文先阐述光裕堂建筑形制与历史发展背景,厘清村落族群与光裕堂的联系,再通过门楼空间尺度、观览视角、装饰手法等,解读门楼在祠堂外部广场空间与内部院落空间所彰显的场所精神,由此完成光裕堂门楼从视觉性到知觉性、从物质空间到想象空间的还原与建构。As a village ancestral hall,Guangyu Hall in Pingshan Village,Yixian County,was constructed during the Ming Dynasty and underwent expansion during the Qing Dynasty.It spans two dynasties and witnessed the development and changes of the village clan.Its grand gatehouse also signifies the rise and fall of the Shu family.The towering gatehouse features exquisite decoration,evoking a distinct artistic style both inside and outside the ancestral hall.This paper begins by elucidating the architectural form and historical development background of Guangyu Hall,while also clarifying the relationship between all ethnic groups in the village and Guangyu Hall.Subsequently,it interprets the spiritual essence of the gatehouse within the external square space and internal courtyard space of the ancestral hall through analysis of the gatehouse's spatial scale,viewing perspective,and decorative techniques.This approach aims to complete the restoration and construction of Guangyu Hall's gatehouse,transitioning from visuality to perception and from material space to imaginative space.

关 键 词：场所精神 徽派民居 广场空间 物质空间 建筑形制 院落空间 空间尺度 艺术风貌 

分 类 号：TU241.5[建筑科学—建筑设计及理论]