“现代人”思想·长篇小说诗学·美学和历史视野——撰写中国现代长篇小说史(1922—1949年)的几点思考  

The Thoughts of“Modern People”,the Poetics of Novels,and the Perspectives of Aesthetics and History:Some Reflections on Writing the History of Modern Chinese Novels(1922—1949)

作　　者：陈思广[1] CHEN Si-guang(College of Literature and Journalism,Sichuan University,Chengdu 610027,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610027

出　　处：《西北大学学报（哲学社会科学版）》2024年第4期45-52,共8页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重点项目“中国现代长篇小说史(1922—1949)”(22AZW016)。

摘　　要：撰写中国现代长篇小说史最基本也是最重要的一个思路是:以“现代人”思想为根,以长篇小说诗学为本,在美学和历史的视野下,通过对前二者融创度与完成度的探析与相关艺术问题的剖析、阐释,实现对中国现代长篇小说发展历程共时性与历时性的描述与定位,即在主潮中透视,在诗学中辨析,在审美中感悟,在时代中把握,进而清晰地勾勒出中国现代长篇小说的发展脉络、艺术得失。通过对现代长篇小说诗学艺术的深入揭示,对其中出现的一些重要的现象与问题加以理论的探讨与提升,深化中国现代长篇小说研究的问题意识,构建并拓宽中国现代长篇小说的审美认知谱系,是撰写中国现代长篇小说史的一个有效范式。The most fundamental and crucial approach to writing the history of modern Chinese novels is to take the thoughts of“modern people”as the root and the poetics of novels as the foundation,analyze the degree of integration and accomplishment of the former two and interpret the related artistic issues in the aesthetic and historical context,so as to delineate and position the synchronicity and diachronicity of the development of modern Chinese novels.That is to penetrate the mainstream,to discern within the poetics,to perceive through aesthetics and to grasp within the epoch in order to provide a clear outline of the trajectory and artistic gains and losses of modern Chinese novels.By delving into the artistic revelations of the poetics of novels and engaging in theoretical discussions and sublimation of some significant phenomena and issues,the problem awareness in the study of modern Chinese novels is deepened,and the aesthetic cognitive spectrum for modern Chinese novels is constructed and broadened.This could be an effective paradigm for writing the history of modern Chinese novels.

关 键 词：中国现代长篇小说史 1922—1949年 “现代人”思想 长篇小说诗学 美学和历史视野 

分 类 号：I206.6[文学—中国文学]