浅析电影《刮痧》中西文化冲突  

A Brief Analysis on the Conflict Between Chinese and Western Cultures in the Film The Treatment

作　　者：何建珍 吴燕梅 张玥 HE Jian-zhen;WU Yan-mei;ZHANG Yue(Department of Humanities and Law,Guizhou Qiannan Economic College,Qiannan Guizhou 550600,China)

机构地区：[1]贵州黔南经济学院文法学院,贵州黔南550600

出　　处：《湖北开放职业学院学报》2024年第12期193-194,198,共3页Journal of Hubei Open Vocational College

基　　金：教育部高校学生司第二期供需对接就业育人项目:贵州黔南经济学院文法学院新文科类大学生就业实习基地建设项目阶段性成果(项目编号:20230112234)。

摘　　要：随着经济全球化进程日益增快,各国文化交流需求更加迫切。由于中西文化差异,国际交往过程中难免出现冲突与碰撞。电影《刮痧》是中西方跨文化交际过程中的小缩影,再现了华裔在美国遇到的文化冲突。本文旨在通过电影所表现的文化冲突对中西方在面子观、朋友观、亲情观、儿童人权观以及法律文化方面进行比较分析,体现中西方文化共性和差异,并提出中西方文化融合的趋势和必然。求同存异是世界文化交流的基本准则,这样各国文化才能更好地传承与发展。With the rapid process of economic globalization,the need for cultural exchange among countries has been more urgent.Due to the differences between Chinese and Western cultures,conflicts and collisions are inevitable in the process of international exchanges.The Treatment,a film released in 2001,is a microcosm of cross-cultural communication between China and the West.The purpose of this paper is to compare and analyze the Chinese and Western views on face,friends,family,Children's rights and legal culture through the cultural conflict shown in the film,to reflect the similarities and differences between Chinese and Western cultures,and to propose the trend and necessity of cultural fusion between China and the West.Seeking common ground while reserving differences is the basic principle of world cultural exchange,so that cultures of different countries can be better inherited and developed.

关 键 词：文化冲突 面子观 儿童人权观 法律文化观 文化融合 

分 类 号：J9[艺术—电影电视艺术]