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作 者:张华[1] ZHANG Hua(Department of History,Chongqing University,Chongqing 400044,China)
机构地区:[1]重庆大学历史学系,重庆400044
出 处:《山东女子学院学报》2024年第4期83-96,F0002,共15页Journal of Shandong Women's University
基 金:重庆市社会科学规划一般项目“抗战时期重庆地区妇幼卫生研究”(项目编号:2019YBKZ06)。
摘 要:学术界流行的对中华人民共和国爱情的叙述有两种观点:一是爱情压倒政治,一是政治压倒爱情。两种观点针锋相对,但也有着共同点:它们都是从男女权利平等原则出发展开的讨论,而忽略了劳动生产话语在中华人民共和国爱情建设中的作用。从劳动生产话语出发,会发现其不仅为自由爱情的出现打开了更广阔的空间,同时也对爱情中的爱欲表达造成了限制。这一打开和限制与新中国建设带来的生活方式由文趋质的变化有关。因此,劳动对爱情表达的限制不能简单地视为政治压抑爱情的表现,毋宁看作是生活方式由文趋质的表征。There are two popular views in the academic community on the narrative of love in New China:one is that love overwhelms politics,and the other is that politics overwhelms love.The two viewpoints are in sharp opposition,but they share common ground,both based on the principle of equal rights between men and women,and ignoring the role of labor production discourse in the construction of love in New China.Starting from the discourse of labor production,it is found that it not only opens up a broader space for the emergence of free love,but also restricts the expression of love desire in love.This opening and restriction is related to the qualitative change in lifestyle brought about by the construction of New China,which has shifted from culture to nature.Therefore,the limitation of production on the expression of love cannot be simply seen as a manifestation of political repression of love,but rather as a representation of a qualitative shift in lifestyle from culture to nature.
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