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作 者:王文林 林萌 WANG Wen-lin;LIN Meng(School of Literature,Qufu Normal University,Qufu 273165,China;School of Literature,He’nan University,Kaifeng 475001,China)
机构地区:[1]曲阜师范大学文学院,山东曲阜273165 [2]河南大学文学院,河南开封475001
出 处:《山东女子学院学报》2024年第4期109-119,共11页Journal of Shandong Women's University
基 金:教育部人文社会科学研究青年基金项目“文化挪用与西方文化身份理论研究”(项目编号:22YJC751016)。
摘 要:铁凝的《玫瑰门》书写了“家”的流变史与女性的百年身份历程,具有重要的社会—历史学意义与审美价值。小说中的“家”在不同历史时段呈现出不同的面向,归纳百年来“家族/家庭”的发展脉络,可揭示出“家中人”伴随着“家”的变迁图景衍生出何种具有新质的生命体验与情感结构。当“家”的稳固性被削弱,性别议题、新型人际关系逐渐浮现,女性虽在历次社会变革中得以拓展其生存空间,却始终无法摆脱被规范与束缚之命运,因而如何建立根基性的身份认同,成为《玫瑰门》留给当今时代的议题。In Gateway of Roses,Tie Ning describes the evolution of“home”and the identity journey of women in the past century,which have important social and historical significance and aesthetic value.This novel focuses on the special aspects of the composition of“home”in different historical periods,summarizes the development of“family/home”in the past century,and tries to reveal what kind of new life experience and emotional structure that“family members”derive from the change of“home”.When the stability of“home”is weakened,gender issues and new kinds of relationships emerge.Although women have been able to expand their living space in successive social changes,they have always been unable to get rid of the fate of norms and constraints.Therefore,how to establish the basic emotional identity has become the issue left by Gateway of Roses to the current era.
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