“西部”诗写的三个维度——以马行诗集《无人区的卡车》为中心  

The Three Dimensions of Western Poetry Writing——Centered on Ma Xing’s Poetry Collection Trucks in Unmanned Areas

作　　者：董迎春[1] 温天强 Dong Yingchun;Wen Tianqiang(Guangxi University for Nationalities)

机构地区：[1]广西民族大学文学院

出　　处：《写作》2024年第3期74-81,共8页Writing

基　　金：2022年度广西民族文化保护与传承中心立项项目“新世纪广西少数民族诗歌‘新乡村叙事’研究”(项目编号:2022KFXDM01)。

摘　　要：西部“无人区”是马行创作的主要背景,他从景观的西部、隐喻的西部、超验审美话语的西部三个维度阐述了文学地理视域下西部空间与其诗歌创作的重要依存关系。西部不仅是创作的来源,更是一种影响作品的机制。马行的诗歌在地理现实与审美创造、真实体验与生命的隐喻之间表现了西部写作的艺术张力和可能,在西部意象的深度审美和超验感知中展现了普世生命的本体观照,为当代诗歌的地域文学及工业诗歌的创作提供了参考与启示。The“Unmanned areas”in the western region is the main background of Ma Xing’s creation.He elaborated on the important interdependence between the western space and his poetry creation from three dimensions:the landscape of the western region,the metaphorical western region,and the transcendent aesthetic discourse of the western region from the perspective of literary geography.The West is not only the source of creation,but also a mechanism that influences works.Ma Xing’s poetry expresses the artistic tension and possibility of Western writing between geographical reality and aesthetic creation,real experience and metaphor of life.In the deep aesthetic and transcendental perception of Western imagery,it displays the ontology of universal life,providing reference and inspiration for the creation of regional literature and industrial poetry in contemporary poetry.

关 键 词：马行 无人区 西部诗歌 审美直观 

分 类 号：H315[语言文字—英语]