汉代瓦当纹饰的美学设计研究  

Research on the Aesthetic Design of Han Dynasty Waddang Pattern

作　　者：冉婧 Jing Ran(College of History and Ethnic Culture,Guizhou University,Guiyang Guizhou)

机构地区：[1]贵州大学历史与民族文化学院,贵州贵阳

出　　处：《Design（汉斯）》2024年第2期335-341,共7页设计（汉斯）

摘　　要：在中国古代建筑中,瓦当是不可或缺的一部分,它不仅具有实用功能,更是文化艺术的载体。汉朝作为中国瓦当发展史的高峰期,本文旨在深入分析汉代瓦当的类型、构图原则、审美意象及文化内涵,以揭示其背后所蕴含的美学价值和史学意义,从而为当代艺术设计提供灵感和启示,促进瓦当文化的传承与发展。In ancient Chinese architecture,tiled eaves are an indispensable part,serving not only practical functions but also as carriers of cultural art.The Han Dynasty marked a peak in the development of tiled eaves in China.This article aims to deeply analyze the types,compositional principles,aesthetic imagery,and cultural connotations of tiled eaves from the Han Dynasty,in order to re-veal the aesthetic value and historical significance behind them.By doing so,it hopes to provide inspiration and revelation for contemporary art design,and promote the inheritance and devel-opment of tiled eaves culture.

关 键 词：汉代瓦当 图案纹饰 设计美学 

分 类 号：K87[历史地理—考古学及博物馆学]