百谐歌舞艺术特征及其传承与保护  

Characteristics and Inheritance and Protection of rbad gzhas Song and Dance Art

作　　者：梁坤鹏 Liang Kunpeng

机构地区：[1]西藏大学艺术学院

出　　处：《西藏艺术研究》2024年第1期37-44,共8页Tibetan Art Studies

摘　　要：“百谐”是西藏古代一种从征战歌逐渐转变为望果节等各类民间仪式中的音乐品种。随着时间流逝,百谐歌舞的文化功能已悄然发生变化,但其表演形式,音乐主体的变动却并不大,从中可以窥探到许多古时藏族歌舞特色。文章从“百谐”歌舞的发展、艺术特征、当代现状及传承方面进行了历史回顾、音乐本体分析和传承与保护等多层面的探述。“rbad gzhas”is an ancient Tibetan form of war song that gradually changed to the Ongkor Festival and other folk ceremonies with various types of music.With time,the cultural function of rbad gzhas song and dance has slowly changed,but its performance form and main music body have not changed significantly.This paper discusses the development,artistic characteristics,present situation,and inheritance of“rbad gzhas”song and dance through the lens of historical retrospection,music ontology analysis,and inheritance and protection.

关 键 词：百谐 仪式音乐 望果节 

分 类 号：J607[艺术—音乐]