西藏传统建筑艺术中的色彩与民居建造禁忌探析  

An Analysis of Color and Taboos in Traditional Tibetan Architectural Art

作　　者：次仁旺堆 拉瓜登顿[1] Ciren Wangdui;Lagua Dengdun

机构地区：[1]西藏大学工学院

出　　处：《西藏艺术研究》2024年第1期67-73,共7页Tibetan Art Studies

基　　金：2022年度西藏自治区自然科学基金立项项目:西藏“一江两河”流域传统民居建筑构造研究阶段性成果。(项目编号:XZ202201ZR0028G)。

摘　　要：本文以西藏传统民居建造禁忌为研究对象,探讨了西藏传统建筑艺术中色彩的使用以及建造过程中的禁忌。首先,从色彩角度出发,分析了白色、赭红色、黄色和黑色在西藏传统建筑艺术中的运用以及象征意义,并指出色彩在建筑艺术中的运用与藏传佛教的密切关系;其次,从建造习俗角度出发,详细阐述了西藏传统民居兴建前、施工阶段和竣工阶段的禁忌和仪式;最后,对西藏传统建筑艺术中民居建造禁忌的意义进行了总结,认为这些禁忌不仅是对居住者幸福的保护,也是对传统文化的尊崇。传统民居建造禁忌在建筑布局、材料选择、色彩装饰等方面具有重要意义,是地域建筑艺术的重要载体。Taking the taboo of the construction of traditional Tibetan residences as the research subject,this paper discusses the use of color in the traditional architectural art of Tibetan regions and the taboos in the construction process.Firstly,from the perspective of color,it analyzes the use of white,ocher red,yellow,and black in traditional Tibetan architectural art and their symbolic meanings.It also points out the close relationship between the use of color in architectural art and Tibetan Buddhism.Secondly,from the perspective of construction customs,the taboos and rituals of traditional Tibetan residences in the pre-construction,construction,and completion stages are elaborated in detail.Finally,the significance of the taboos on the construction of residences in Tibetan traditional architectural art is summarized,and it is believed that these taboos not only protect the residents'happiness but also respect the traditional culture.Traditional residential construction taboos are of great significance in terms of architectural layout,material selection,color decoration,etc.,and are important embodiment of regional architectural art.

关 键 词：西藏传统建筑艺术 传统民居 色彩 建造习俗 禁忌 

分 类 号：J59[艺术—艺术设计]