谢晋研究中的议程诱导与拨乱反正  

The Three Periods and Three Issues of“Research on Xie Jin”:Also on Xie Jin’s Art of Selecting Topics

作　　者：刘海波 Liu Haibo

机构地区：[1]上海大学上海电影学院 [2]上海大学谢晋中国电影研究中心 [3]上海电影评论学会

出　　处：《艺术传播研究》2024年第4期16-24,共9页Journal of Art Communication

基　　金：国家社科基金艺术学一般项目“构建与实践:新时代中国影视‘人民美学’研究”(编号:22BC043)的阶段性成果。

摘　　要：谢晋是公认的电影大师。迄今为止,谢晋研究可分为创作伴随期(1957—2001)、“盖棺定论”期(2001—2011)、拓展更新期(2011年至今)三个时期。关于谢晋的研究已是成果卓著,但其研究过程中存在“作者论范式误区”“朱大可批评的议程诱导”和“比较方法的视野缺席”三大问题。目前对谢晋的研究应当主要聚焦于他导演艺术层面的研究,主要包括选题、立意、演员指导、镜头语言、艺术效果等五方面。其中,谢晋的导演风格在题材选择上尤为突出,即偏爱女性题材、现代人物和“偏主流”题材,这也是使其电影成为经典的重要因素。Xie Jin is widely recognized as a film master.So far,the research on Xie Jin can be divided into three periods:the accompanying period of creation(1957—2001),the period of final conclusion(2001—2011),and the period of expansion and updating(2011—2023).The research on Xie Jin has achieved remarkable results,but there are three major problems in its research process:“the paradigm misuse of the author’s research”,“the misleading agenda by Zhu Dake”,and“the lack of comparative methods”.At present,research on Xie Jin should mainly focus on his artistic level as a director,including topics,ideas,actor guidance,camera language,and artistic effects.Among them,Xie Jin’s directing style is particularly prominent in the selection of themes,namely a preference for female themes,modern characters,and“mainstream”themes,which is also an important factor that makes his films classic.

关 键 词：谢晋 电影人 作者论 朱大可 导演艺术 电影选题偏好 

分 类 号：J911[艺术—电影电视艺术]