“以人民为中心”理念的展现:延安木刻在国统区的传播与积极影响  

Presentation of the“People-Centered”Idea:the Spread and Influence of Yan’an Woodcut in Kuomintang-Controlled Areas

作　　者：王军峰 Wang Junfeng

机构地区：[1]陕西师范大学新闻与传播学院

出　　处：《艺术传播研究》2024年第4期90-100,共11页Journal of Art Communication

基　　金：国家社科基金重大项目“延安时期中国共产党宣传工作史研究与资料库建设”(编号:23&ZD023);陕西省哲学社会科学研究专项青年项目“延安木刻革命思想的媒介化传播研究”(编号:2024QN053)的阶段性成果。

摘　　要：延安时期,延安木刻具有“行远及众”的特征,通过美术展览会、报刊和书籍等方式在国统区有广泛传播。其所刻画的党领导解放区军民合作坚持抗战的英勇斗争、民主政权建设、大生产运动与经济建设、文化卫生宣传、男女平等的婚姻制度等,获得了国统区民众的关注和认可。这些作品体现了中国共产党“以人民为中心”的执政理念,使延安获得了“打开民主路,敲响自由钟”“全民政治之模范”的赞誉。Yan’an woodcut has the characteristic of“traveling far and keeping close to the people”and is widely spread in Kuomintang-controlled areas through art exhibitions,newspapers,and books.In terms of the content,the civilian-military cooperation under the leadership of the Communist Party of China resisted the Japanese invasion in the liberated areas,the construction of democratic regime,the great production movement and economic construction,cultural and health propaganda,and the equality between men and women in the marriage system were reflected in the woodcut and were widely disseminated in Kuomintang-controlled areas.It reflects the CPC’s ruling philosophy of“taking the people as the center”,and makes Yan’an get the praise of“opening the road of democracy,ringing the bell of freedom”and“the model of democratic politics”.

关 键 词：延安木刻 以人民为中心 民主政治 文艺宣传 美术传播 

分 类 号：G206[文化科学—传播学] J217[艺术—美术] K26[历史地理—历史学]