传统艺术在现代媒介中的延伸与消解:基于戏曲电影的考察  

The Extension and Dissolution of Traditional Arts in Modern Media:An Examination Based on Opera Films

作　　者：郭婧文 Guo Jingwen

机构地区：[1]山西传媒学院

出　　处：《艺术传播研究》2024年第4期113-122,共10页Journal of Art Communication

基　　金：国家社科基金艺术学重大项目“中华传统艺术的当代传承研究”(批准号:19ZD01)的阶段性成果。

摘　　要：戏曲是中国传统艺术中富有代表性的门类,电影则以其现代媒介身份在现代社会中作用于人与事物的加速延伸。基于“戏曲电影”视角的观察,有助于我们对传统艺术在现代媒介中的传承问题进行深入思考。戏曲艺术在现代媒介中的延伸,首先是现代人的一种内化需求,是一种外在生活模式和内在心理需求的延伸;其次也是传统艺术传承的自觉需求,是传统艺术在环境、媒介和审美三个维度上的延伸。但是,这种延伸可能过度,并由此带来传统戏曲的消解。这种消解实质上是传统戏曲在现代媒介中的异化,是传统戏曲的符号化、内容化和非艺术化。Traditional Chinese opera stands as a quintessential form of Chinese traditional arts,and film,as a contemporary medium,significantly influences the rapid extension of human and societal interactions in today’s world.By examining the phenomenon through the lens of“opera films”,we can gain a deeper understanding of the challenges faced by traditional art forms in the context of modern media.The incorporation of opera into modern media is not only a reflection of the internalized desires of contemporary society,mirroring the extension of our external lifestyles and internal psychological demands,but also a deliberate effort to preserve traditional arts,which involves the extension of these arts across environmental,technological,and aesthetic dimensions.Nonetheless,this integration may be excessive,potentially leading to the dissolution of traditional opera.This dissolution represents the transformation of traditional opera within modern media,characterized by its symbolic representation,content-driven focus,and a shift away from its original artistic essence.

关 键 词：戏曲电影 艺术传承 文化延伸 现代媒介 传统消解 

分 类 号：G206[文化科学—传播学] J951.2[艺术—电影电视艺术] J805