江湖与江西之间:戴表元的诗学归属与救治策略  

Between Jianghu and Jiangxi:the poetic attributes of Dai Biaoyuan and his treatment strategies

作　　者：赵源 ZHAO Yuan(School of Literature and Journalism,Sichuan University,Chengdu,Sichuan 610200)

机构地区：[1]四川大学文学与新闻学院,四川成都610200

出　　处：《池州学院学报》2024年第2期23-27,共5页Journal of Chizhou University

基　　金：国家社科基金(21BZW023)。

摘　　要：作为宋元之际的重要诗论家,戴表元的诗学主张对于诗学转型产生了重大影响。宋元诗学转型的一个重要主题是对江湖与江西两种诗风的调和与救治,戴表元尤其致力于此。过往学界多将戴表元目为江西后学,然而经过考察,综合考量诗风、地域与师承关系,应当指出戴表元诗学脱胎于江湖诗派。戴表元对江西、江湖两派的弊端均有深切体认,故而提出了相应的救治策略,推动了宋元诗学转型。As an important poeticist in the Song and Yuan dynasties,Dai Biaoyuan’s(戴表元)poetics had a great impact on the transformation of poetics.An important theme of the poetics transformation of Song and Yuan Dynasty is to reconcile and cure the two poetic styles of Jianghu poetry school(江湖诗派)and Jiangxi poetry school(江西诗派).In the past,many scholars regarded Dai as a man of Jiangxi poetry school.However,after investigation and comprehensive consideration of the relationship between poetry style,region and teacher,it should be pointed out that Dai's poetry was born from Jianghu poetry school.Dai had a deep understanding of the shortcomings of Jiangxi and Jianghu schools,so he put forward corresponding treatment strategies and promoted the poetics transformation of Song and Yuan Dynasties.

关 键 词：戴表元 江湖诗派 江西诗派 宋元诗学 

分 类 号：I206[文学—中国文学]