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作 者:贡静文 方盛良[1] GONG Jingwen;FANG Shengliang(School of Arts,Anhui University,Hefei,Anhui 230039)
出 处:《池州学院学报》2024年第2期28-32,共5页Journal of Chizhou University
摘 要:明清以来,涉及女性的传状、赠序、碑志等文本大多是理学塑造下的应酬文学,其价值性不高。但在刘大櫆的文本世界中,却能够发现女性独到的参与。他在文学创作对传统女性形象进行接续与重塑,在批评话语中重新阐释女性立场下的“礼教”与“性情”,并借助女性表达他对封建礼教和缙绅大夫的对抗,同时其真实的书写模式也还原了清代女性教育背景下的女性生存状态。Since the Ming and Qing Dynasties,most of the texts involving women,gifts,inscriptions and inscriptions are social literature under the shape of Neo-Confucianism,and their value is not high.But in the world of Liu DaKui text,but can find women unique participation.He continued and reshaped the traditional female image in literary creation,reinterpreted the“ethics”and“temperament”under the female position in critical discourse,and expressed his confrontation with the feudal ethics and gentry doctors with the help of women.At the same time,his real writing mode also restored the female living state of women under the background of female education in the Qing Dynasty.
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