论晏几道词对花间词的创新与超越  

On Yan Jidao’s Innovation and Transcendence of Huajian Ci

作　　者：王婷 WANG Ting(Nanning Normal University,Nanning 530000,China)

机构地区：[1]南宁师范大学,广西南宁530000

出　　处：《扬州教育学院学报》2024年第2期8-11,共4页Journal of Yangzhou College of Education

摘　　要：词发展至北宋中期以后,小令逐渐衰微,慢词在宋代文学大家的倡导下成为创作的主流。在这种形势下,晏几道固守小令的阵地,承袭“花间”的传统,书写个人爱恨情愁。晏几道词不仅是单纯的继承,而是在此基础上有所创新和超越,将感情的专注和真挚推到全新的高度,从而形成了超越花间词派浮艳风气的语浅情深、清壮顿挫的风格,且在北宋词人中独树一帜。Since the middle of the Northern Song Dynasty,Xiaoling of the ci-poetry has gradually declined,losing influence to long ci-poetry which became the mainstream of creation because of advocacy of the Song Dynasty literators.In this context,Yan Jidao followed the tradition of Huajian school and persisted to the creation of Xiaoling,writing about personal emotions.Yan’s Ci is not merely an inheritance,but also an innovation and transcendence of Huajian Ci,pushing the emotional focus and sincerity to a new height,thus forming his own style of simplistic wording and profound feelings and clarified and powerful expression with rhythmical pause and transition,which is different from the flashy style of Huajian ci and so unique among the Northern Song Dynasty ci poets.

关 键 词：晏几道 《小山词》 花间词派 感情真挚 清壮顿挫 

分 类 号：I207.23[文学—中国文学]