论《大唐三藏取经诗话》中艺术形态与文化现象  

On the Artistic Form and Cultural Phenomena of the TANG San-zang Scripture Collection Poetry

作　　者：梁利玲[1] LIANG Li-ling(School of Culture and Art,Guangdong Vocational Institute of Public Administration,Guangzhou,Guangdong 510800)

机构地区：[1]广东行政职业学院文化旅游学院,广东广州510800

出　　处：《岳阳职业技术学院学报》2024年第3期83-87,共5页Journal of Yueyang Vocational and Technical College

摘　　要：《大唐三藏取经诗话》以地理空间为线索,讲述了大唐法师西天取经沿途的所见所闻,其中体现了人物塑造、故事设计、语言使用的艺术性元素,十分吸睛。本文从艺术形态、文化现象、文化因素对文本的影响等角度进行多方探究,探讨该文本表现出的神话传说、宗教文化、等级文化等现象,以期为现代学术交流提供参考借鉴。The TANG San-zang Scripture Collection Poetry tells the story of the mage's journey through the Western Heaven in Tang Dynasty,using geographical space as a clue.The artistic elements of the main characters,the artistic plot of the story,and the artistic use of language are very eye-catching.This article explores from the perspectives of artistic form,cultural phenomena,storyline,and language use to discusses the strong mythological and legendary culture,religious culture,hierarchical culture,and other phenomena reflected in the text.It provides some novel viewpoints for modern academic research.

关 键 词：《大唐三藏取经诗话》 艺术形态 文化现象 

分 类 号：I207.23[文学—中国文学]