古典秩序下的中华巴洛克建筑立面构图研究——以哈尔滨为例  

Composition of the Facade of Chinese Baroque Architecture Based on the Classical Order:Taking Harbin as an Example

作　　者：陈萌 李家华 Chen Meng;Li Jiahua

机构地区：[1]哈尔滨工业大学建筑与设计学院,寒地城乡人居环境科学与技术工业和信息化部重点实验室

出　　处：《华中建筑》2024年第7期1-5,共5页Huazhong Architecture

摘　　要：中华巴洛克是在西方巴洛克风格基础上融入中国传统文化而产生的一种近代折衷主义建筑风格,具有重要的历史价值和人文价值。以哈尔滨中华巴洛克建筑立面为研究对象,系统梳理其立面构图特征,分析中华巴洛克与西方古典主义建筑的源流关系。并从法式、属群、均衡三个古典构图原则入手,对具有代表性的建筑立面进行解构分析,总结中华巴洛克建筑立面的古典主义构图规律。完善中华巴洛克建筑遗产理论体系,为中华巴洛克的文物保护修缮提供理论指导。Chinese Baroque is a modern eclectic architectural style based on the Western Baroque style integrated with Chinese traditional culture,which has important historical and humanistic values.Taking the facade of Chinese Baroque buildings in Harbin as the research object,we systematically sort out the compositional features of the facade and analyze the relationship between Chinese Baroque and Western classical architecture.Starting from three classical compositional principles of Taxis,genera,symmetry,we deconstruct and analyze the particular architectural facades,and summarize the classical compositional rules of Chinese Baroque architectural facades.It will improve the theoretical system of Chinese Baroque architectural heritage and provide theoretical guidance for the cultural relics protection and restoration of Chinese Baroque.

关 键 词：古典秩序 中华巴洛克 建筑立面 构图 哈尔滨 

分 类 号：TU238.1[建筑科学—建筑设计及理论]