郁达夫抒情小说创作转向探析  

An Analysis of the Turn in Yu Dafu’s Lyrical Novel Creation

作　　者：邓艮[1] 肖如杉 DENG Gen;Xiao Ru-shan(School of Chinese Language and Literature,Xi’an International Studies University,Xi’an 710128,Shaanxi,China)

机构地区：[1]西安外国语大学中国语言文学学院,陕西西安710128

出　　处：《宝鸡文理学院学报（社会科学版）》2024年第3期120-125,共6页Journal of Baoji University of Arts and Sciences：Social Science Edition

摘　　要：中国现代文学史上郁达夫的创作极具个人特色,具有浓郁的浪漫主义气息,初期小说创作更是引起了巨大争议。郁达夫的小说创作也一直被贴上“颓废”“色情”“小资产阶级的自我感伤”等标签。但是在创作社的转向中,郁达夫展现了极高的政治革命热情,在其早期作品中可以探得这一苗头的“萌芽”,后续创作中更是展现了一个内心柔软的抒情作家坚定的革命意志。不可否认,这些创作仍有局限之处,但不能因此否决郁达夫的创作方向转变及为后来者带来的启示与反思。In the history of modern Chinese literature,Yu Dafu's creations have distinct characteristics and a strong sense of romanticism,and his early novel creations have caused great controversy.Yu Dafu's novel creations have also been labeled as being “decadent”,“pornographic”,and “self-sentimentality of the petty bourgeoisie”.However,in the turn of the creation,Yu Dafu demonstrated a high level of political revolutionary enthusiasm,which can be detected in his early works as the “sprout” of this phenomenon.In his subsequent works,he also demonstrated the firm revolutionary will of a lyrical writer with a soft heart.It is undeniable that these creations still have limitations,but this cannot negate Yu Dafu's change in creation and the inspiration it provides for later generations.

关 键 词：郁达夫 抒情 浪漫主义 创作转向 矛盾 

分 类 号：I206.6[文学—中国文学]