由刺到雅:宋代笔记中苏轼戏谑书写变迁  

From Thorn to Elegance: Changes of Su Shi’s Joking Writingin the Song Dynasty Notes

作　　者：司聃 Si Dan

机构地区：[1]中央财经大学现代逻辑研究所,北京100098 [2]中央财经大学文化与传媒学院,北京100098

出　　处：《中州学刊》2024年第6期157-165,共9页Academic Journal of Zhongzhou

基　　金：国家社会科学基金项目“佛教影响下的中国古代海洋叙事研究”(23BZJ022)。

摘　　要：宋代笔记中,苏轼戏谑书写早在北宋元祐年间便已成熟,又在不同时局中得到再解读,戏谑内涵在流传中不断重构。早期宋人笔记中,苏轼的戏谑之语讥刺意味过甚,以至俚俗,后来逐渐雅化,戏谑书写由直露讥刺向文字游戏转变,向思想政治性叙事转变,凸显其刚正之德。这种书写风格的转变既是宋学背景下叙事的严肃发展的结果,又受到南渡以来政治再评价的影响。苏轼戏谑书写经过宋人的反复阐释,其中所体现的文化信息已超越戏谑语言本身,更加契合受众心理。In the notes of the Song Dynasty,Su Shi’s satirical writing matured as early as the Yuan You Period,but it was reinterpreted in different contexts,and the connotation of satire was deconstructed in transmission.In the early notes by Song people,Su Shi’s sarcastic remarks were too harsh and even vulgar.It gradually became more refined,and the satirical writing shifted from direct exposure,ridicule,and satire to a game of words,and towards ideological and political narrative,highlighting its upright character.The reasons for this were roughly influenced by two aspects:culture and politics,including the serious development of narrative in the context of Song studies and the influence of political re-evaluation since the Southern Expedition.The cultural information reflected in Su Shi’s satirical writing,which had been repeatedly interpreted by the Song people,surpassed the satirical language itself and was more in line with the audience’s psychology.

关 键 词：苏轼 戏谑 雅化 

分 类 号：I206[文学—中国文学]